Last Tuesday, the book club from my church's women's group met and discussed their favorite mysteries. I couldn't go, and I've spent a little too much time thinking about my favorites, especially after a few books from a recent series left me with a bad taste in my mouth. Why do I read some mysteries over and over, but skim through others before throwing them away?
I don't expect anyone else to read by my criteria; they're mine and mine alone. But it might explain why I like some books so much and dislike most series mysteries written today.
1. All of the characters that I'm expected to like must behave like adults and be sensible. No Big Misunderstandings or failures to communicate.
2. I'm a romantic, and drawn to characters who are fully developed but better, perhaps more heroic, than anyone in real life could be. As long as they follow rule #1.
3. Multiple murders in cosy mysteries are usually just silly, and all too often a result of ignoring rule #1.
4. Words have power, and swearing is only effective if used rarely. Why use up good words with overuse? Again, I'm a romantic, and want to read of worlds where characters are literate and witty - more so than in real life.
5. In my favorite mysteries, even the villains can find some redemption.
6. If they're set in the 1930s and 1940s and the heroines wear smart little suits, it doesn't hurt.
7. No cynicism. Ever. Flippant murders, where the overly obnoxious or silly 2D victim is murdered in a slightly comic way are just too cynical for me.
8. The novel Must Be Well-Written.
And here are my finalists:
All Time Favorites
Daughter of Time and Brat Farrar, by Josephine Tey. She died too young, and left only a few books and a couple of plays. My love for Daughter of Time led me to buy the illustrated boxed version, even though the illustration of Inspector Grant made him look like he haunts cocktail lounges for a living, sponging off wealthy women.
One Corpse Too Many, by Ellis Peters. I treasure all of her books; this one introduces the best characters in the Brother Cadfael Series. I also love Death and the Joyful Woman and The Grass-Widow's Tale from her Inspector Felse books.
To Say Nothing of the Dog, by Connie Willis. Does this qualify as a mystery? It's heavily influenced by Dorothy Sayers, and one of my favorite books ever. I think that I've mentioned it fifty times on this blog. Maybe only two times. But often enough.
Honorable Mentions
The Documents in the Case, by Dorothy Sayers. I'm drawn to novels written as letters/documents.
The Fear Sign, by Margery Allingham. Ridiculously romantic, in the classic sense of romance. Lost heirs of small kingdoms; treasure hunting; village witchcraft; brave, witty, well-connected young men; and a sensible teenage girl who's good at mechanics.
My Brother Michael, by Mary Stewart. A little more violent than I usually like, but the main characters are so kind and compassionate that I can take it.
The Unfinished Clue, by Georgette Heyer, if only for the most sensible hero and heroine ever. Bonus: the heroine wears smart little suits.
One of the Inspector Alleyn mysteries by Ngaio Marsh. Maybe Death of a Peer? Or Death in a White Tie.
The early Amelia Peabody books (when everyone behaved relatively sensibly. For them, anyway).
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